https://www.youtube.com/channel/UCod4ra9Qt4mznF2XrD4dYAQ, https://en.wikipedia.org/wiki/Shepard_tone. Fingering the Bass (revised 9/2014) There are two main ways to finger a Stradella bass. Let's face it, that thing that makes the accordion so easy to start playing, the fixed oom cha cha, or oom cha oom cha bass line is not the most musical sound to listen to for 64 bars on end. This item is in stock and can be dispatched immediately. So by plahying a four bar section you will be sounding more musical than those amazing keyboards for all their flashing lights/1. Also you can use just notes of course as runs with these examples  N   N   N or NNN   N or N  N  NN or N  NN  N or even NN NN NN all of which being a bit more noticeable are good for leading strongly towards the next phrase or set of four or eight bars. It creates a feeling of anticipation or tension if held which the matter of fact standard same bass note will not give you. Thanks for this instruction on playing bass C scale. The whole tune will lighten up and sound so much more free if you do this. This website uses cookies to improve functionality. Thanks for your comments. Your email address will not be published. Tapering volume on the chord is good if you have time for it and it does not interfere with other parts of the music. Two different chords can be played with the same fingering pattern when using a button accordion. If using the fifth finger it will be more secure if it is the first note of the run you are doing, or if it prepared in place before you start the run if it is later in the run. On the first complete bar there are three beats and three notes, usually undesirable but play the third beat late (on the last quaver of the bar) and it lightens it because they are no longer hammering away at the same time. On that accordion I have 5 octaves of bass reeds so every bass note is actually sounding 5 different octaves already – My lowest tone is a D (different on other accordions) so you should hear an anomaly as I play C to D but even when I pass the “join” 4 out of 5 reeds go how the ear expects and you hear it as continuing. Mix them into your playing as sounds best for the style and even the bar you are at in the music. I’m sure it’s not a configuration that would suit everyone, but there is some method in the madness. Key Design. Sometimes a tricky bass run can be re-arranged by changing a note onto the counterbass row. Whether playing simply or with more complicated patterns never repeat the same exact pattern (even with different chords) more than three times and often it is better to make two your maximum. Smooth transitions – or legato playing on the bass side can be challenging. There are lots more possibilities we can deal with under specific rhythm styles on another page. Available immediately . Vol. Polar pattern: Omnidirectional (for installation in the accordion) Frequency response: 50 to 19,000 Hz. NEVER play without thought - a tall order when you have trained yourself to do so much automatically, but put the thought in as much as you can for the sake of the listener. Accordion Pages Home. The row nearest the bellows is the counterbass row, the next one in is the bass row and has a dimple on the C. One of the great things about Stradella basses is that if you learn a scale, riff or bassline you can play it in any key – just move your hand to a new start position. If your bass run is too short you can add a turn (most likely at the beginning) to give you an extra note or a chromatic movement between a couple of the notes. An intro to how the Stradella bass system works. Watch out for further thoughts here which I have probably so far overlooked! Another advantage of this configuration is that if you select a register than blocks the 16 foot pipe (voice), then you can play triads for chords that are impossible to play in STRADELLA. Play any standard or usual pattern for you but swop bass notes for chords and vice versa. (You could also vary it, perhaps using the counterbass note instead on the 3rd beat, with the chord of C, E instead of C). Clearly, that’s not the case, but it’s a source of confusion that was resolved for me when someone said “the bass buttons are all in the same octave.”. In general and just for the root bass buttons, is the range from C2 up to B2, or from D2 up to C3, or something else? A very professional and slightly jazzy effect. Does it sound loud because it does not really fit in or has been played the same way in the piece so many times that it is embarrassing. I would suggest these points, after making sure you were not using obviously unbalanced sounds like a full bass with a single reed or middle tremolo treble sound. George Robertson, Hi. Your usual basic waltz rhythm is played as N K K and your basic four beats in a bar is played as N K N K right? Here’s the music: Minor scales are a little harder – bigger stretches – but don’t be put off – like all bass parts they transpose so you only need to know 1 scale and not 12! Third bar is just a "normal" bar with alternate bass notes the same as the first bar and your most likely option you are using already. How do you lift that octave up and down? That is a very helpful diagram showing the major scale for the left hand – can you do a diagram version of the minor scale as I can’t quite understand the A minor scale in just the written format…? A partial solution to this is to join the bass Note with the chord and just cut the chord short, or the first of the two chords following in basic waltz time. Play the tune on the bass for a while, this allows you to produce totally unbelievable accompaniment styles, If your bass pattern grates on you when you listen to it closely (as you should always do!) Playing More Bass Note Runs is dealt with in the Bass Tricks page but Maybe you can almost treat this, aside from the lower pitch as an alternative to playing Free Bass, particularly if you do not have it on your accordion! But  there may be more to it than that. An easy to spot example of this is where a tune starts in the course of the previous bar in quavers (eighth notes) such as The Shadow of your Smile. You can invert even a complete bar or two if the pattern has been well established first. How long you keep the bass note going against the chord will alter the apparent volume and balance. ALTERNATING basses – on Major chords you play the bass for the given chord – then – the next bass should be the 5 th of that chord (the bass above it. Use a long sustained chord with the bass note line moving under it as an extra part (even if only popping in the chord note and dominant, eg C and G with C chord). Shown above In order you have N K N K (standard 1 2 3 4 ), Note that the note runs are to show you where the runs might be incorporated but the actual notes shown are only suggestions. These do have the opposite effect of course, of making the playing more emphatic at that point. Also vice versa and crotchet triplets can be useful also. Just feel the difference! It may be that a continued chord held through the new note will be fine, however. Use dissonance and make a big sound by layering different chords onto the left hand chord from the right hand section and resolve on the next beat on to a less dissonant chord. so as not to confuse you with the chord or note C. Very basic familiar beats are explained in the next paragraph to get you used to the system, not to insult your intelligence. Sometimes I slide my finger from one bass button to another – try from an E counterbass to the C bass – just lean your finger over and you can get a nice legato leaving other fingers free to jump somewhere else. this Acoordion has 120 bass but don’t have diminished chords. Those are easy to find too, with only one button between. Available immediately. Although I think the success of some of the patterns in /u/Monetka's video does kind of rely on the MIDI bass/drum sounds in the Roland squeezebox, it does point to an interesting approach to the left hand - thinking of the bass notes as a kick drum, and of of the chord buttons as a snare. This could be really dreary if played note for note and yet you still want to feel the slow four beats in the bar. Some will require wide spacing, eg C  to A minor and the use of the 5th finger. Akkordeon Bass Fingersatz This is a Four Bar sequence. I think we can all agree on that! This is actually a 7th chord with augmented 5th but is like an extra jazzy augmented chord. 1) Use all your fingers. Normal 7th (stop on 10) same as a tone apart. Obviously it needs to be varied so here are some methods once you are confident of the feel and tempo of your music. You do not change the overall harmony with this when you return instantly to the original chord. Full chords in the right hand and the harmony is obviously explained in full. alternate note is G if a C chord), Second bar is even easier providing you have control over your left hand, you play the same basic key note on the 3rd beat, the key note or C again if a C Chord. On a piano I have a pedal to help, but not on an accordion! Also you can sometimes use your thumb on the Diminished Chords! Because you are not changing the trend of the harmony you can choose which one seems best. JUST AS SOON AS I RUN OUT OF NEW WAYS OF PLAYING ON THE BIG LIST ANYWAY BUT THESE KEEP COMING! Again quite easy to do on the last beat or two beats of the bar, but this is a more subtle effect relieving the strain of repeated pattern on the ear and not necessarily inferring a new section after it. George. This is why I created Mastery Of The Bass Buttons. Mastery of the Bass Buttons. By all means please let me know which ones you would like me to try to cover more fully, maybe with written music, audio or even video examples as I find time to do so. Most piano accordions have Stradella basses – two rows of basses and 3 or 4 rows of chords. The first time you play a bass pattern is the first time so it is lovely. Notify me of follow-up comments by email. You do not need to adjust by waiting. It is just my attempt to make it easier to read by separating the different ideas visually. Or just on the last beat of the bar or the third and fourth beats. The 3rds are available too, a D for Bm and an Eb for B (major) But it’s a bit strange in most musical situations without the root B. In practice I might have played the harmony into the right hand part with full chords under the first notes in the first four bars and added running thirds under the melody afterwards. As a professional accordion teacher, performer and adjudicator, the main enigma for students learning to play the accordion are the Bass Buttons! Notice that melody starts very nearly at the beginning of the bar, only half a beat late, but the principle still applies. £17.90. Download as SVG vector, Transparent PNG, EPS or PSD. We might as well get this over with now. 2. Really think what notes you are playing in the bass rather than do the mechanical stuff all the way through. Available immediately. Cheers A very musical sound is created by playing the right and left hand SEPARATELY in rhythm. Cheers Thank you so much! Above you can see the layout for a 72 bass Stradella (that's what it's called) layout. MAJOR 6th (stop on 9) same as minor 3rd. Most piano accordions have Stradella basses – two rows of basses and 3 or 4 rows of chords. However going from major or minor to diminished will always show up because of the note shifts happening inside the changes. A long chord particularly if the bellows is used slower part way through it will sound lighter, and if the melody note before it started was played strongly as is likely the memory will remain of it being in charge. Be sure to know where you are on the first beat of the next bar however! The system bass microphone can be installed on the bass side of the instrument if required. For basic Zydeco lessons at first you don't need to learn this side but I will note on the tablature some options when the bass side could be played. That is to say when the melody starts playing in quavers (eighth notes). It has for example been stated that Some accordions choose their bass notes from C to B and exceptionally some, such as my Victoria put the break from A to G#. Very clear and helpful. There are two places where I more or less broke the rules here, but for musical reasons. Try chord substitutions for impossible chords to play or play bass notes only for the impossible chords. Thank you You can work out the rest. Compare. Am I correct in thinking that I can’t play most scales using just the buttons as I’m missing a B? 610252) und “Akkordeon Spiel” (AMA Nr. Can I buy a DVD of the base scales, which would allow me time to learn them. Der G-Bass passt demnach zur Tonleiter mit einem Kreuz, der D-Bass mit der Tonleiter mit zwei Kreuzen und so weiter. This is particularly the case if you are perceived to have done something rather clever! And both five and six row players can play Augmented chords by using a sharpened fifth in the melody with your normal 7th chord (but not the major or minor). Cheers Product page Thomann Only Accordion Straps of Thomann . They are instantly softer in comparison to the impact of the long note which has already been noted by the ear. NOTE Do not start the sequence UNTIL THE TUNE HITS THE FIRST BEAT OF THE BAR! Explore the possibilities of extra bass countermelodies appearing miraculously by playing chord to chord without bass note. Sometimes this can be at the very beginning of a tune. bass – line 1 – la b (Ab) Other (probably even less helpful) solutions are to change the key of the song, modify your accordion or get a different instrument! And sometimes even the third time is too much! The notes on the 3rd an 4th beat can be varied, in reverse order or perhaps from the counterbass to the alternte bass (E to G with a C Chord). Required fields are marked *. George. Clearly the same button can’t produce both notes so is the home C button low or high? 4) Use the same finger twice. (I shouldn't tell you this!). I have been playing piano accordion for about 10 years (i'm only 21) and when I moved to Kerry 5 years ago, I had no teacher. Thomann 70 Pro Accordion Strap XL BR. Fourth bar has just notes on the 3rd an 4th beats, most likely in the order alternate note back to key note. Anmerken möchten wir zudem, dass beim Profi bzw. Here are 5 tips: You can use more than one of these methods and thoughts in one tune. The standard accordion bass notation is quite simple as basses, counter basses, and chords are all represented with a single note on the staff. This thing about “all the bass buttons being in the same octave” is slightly confusing because each button plays in more than one octave anyway. Your knuckles should be in a vertical line – its easy to let your hand twist making the A hard to reach. (particularly the A with the Little finger) Make sure your hand is far enough though the backstrap to reach. This can also be use to make fast songs manageable to sing and slow ones move along without losing the overall tempo. A bass chord repeated rather than held through will be more obtrusive. Material: Leather. First bar is "normal" with alternate bass note between chords (e.g. 9. Viele übersetzte Beispielsätze mit "accordion pattern" – Deutsch-Englisch Wörterbuch und Suchmaschine für Millionen von Deutsch-Übersetzungen. A comprehensive collection of progressive exercises guide the student in learning and mastering bass/chord patterns. SO THERE WAS VIRTUALLY NO OCTAVE BREAK MOST OF THE TIME. IF ONE PITCH DROPPED BACK THE OTHER KEPT CLIMBING! As they can generate complex 2 bar rhythms these quickly beome repetitive and annoying. It's possible to play other chords by using combinations of chords (two ore more chord buttons pressed at one time). NB you can do a chromatic chord slide down like C B Bb A with just the bass notes or with chords added only on C and Bb. The third time it is an acceptable reminder. On the other hand, playing a chord on a piano accordion requires the same form and technique employed by a pianist. Hi Fabricio, George. I went over to my Piermaria musette and found a very similar thing happening. This does not apply when the bar is complete, even if it starts with a run of notes (Die Fleidermaus for example starts on the first beat of the bar so with that tune you would be playing the bass pattern from the beginning). The Beltrami in the video has 5 octaves of reeds and I’m using them all. A long bass chord WITHOUT a bass note sounds lighter. So my Victoria is a very very specail instrument I thought, this is unique to it. While this works it may leave you unable to hear any harmony, which is what your left hand is there to provide. You can do the same permitted repition of course in another line of the tune or a different part of the composition. Dig a little deeper into the depths of the bass patterns for the 120 bass accordion. Now you just need to play all those notes in the right order! The second time you play something exactly the same it is nice because you recognise it. Where possible (except on the first beat of the bar) leave the bass out when the melody is playing in fast notes. Your email address will not be published. OR with a very quick establishing bass note played at the beginning. First number your fingers like a piano player : 1=Thumb (but we almost never use it!) Hi Wil, Also here is a classic example of a “cheat”. Explore the different effect of simply holding the higher button (the dominant) alongside your chord, hence playing G with C chord, D with G chord, F with Bb chord etc. The fourth time it is downright annoying. Do not be afraid to add a triplet link in a rhythm where it is not standard. This might outline a chord using your three easy bass notes around the chord if there is a constant chord at that point. 5) Use lots of reverb! Paying attention to this may be the first step in rescuing an annoyingly repetitive bass line. Hi Mark, If anyone reading this knows then please post! For example in, N K K joining the first and second beats N-K N-K , (I have used a hyphen there to indicate legato smoothing to the next note - you might even overlap them slightly, it will add a lot of tone to your sound and sound nice too), Here are just some more variations for waltz time which include some with helpful lively quavers (eighth notes) indicated by being typed closer together, N   K   N  is Good for linking on to the next phrase of melody (as in a fourth or eighth bar) The second N willl be a different note than the first, most probably the dominant (the button above in the same row, suc as G for a C chord). Standard Delivery Times. But this would have made for a more complicated score in appearance and to write out in Sibelius!Modifying the timing of the melody like this is a nice way also to make a more free less regimented effect, even when otherwise playing in perfect time.Later on I also suggested the full “normal” pattern of Bass Chord Chord with the words Sorry We Drifted Apart to strengthen that part of the tune and avoid over repetition of the “Clever” bit. It is assumed that the break every octave wil spoil your tunes, but if you give the ear a choice of octaves to listen to by playing in a multi octave register. Unfortunately a lot of accordionists are happy with one bar accompaniments that repeat even more and there is little guidance around as to how to get out of this. Substituting bass notes only in the left hand in bars where you might expect a more standard alternate bass chord approach or a specific rhythm. The Stradella Bass System (sometimes called standard bass) is a buttonboard layout equipped on the bass side of many accordions, which uses columns of buttons arranged in a circle of fifths; this places the principal major chords of a key (I, IV and V) in three adjacent columns. A lot of people ask me about accordion bass scales – this page should help anyone who’s keen to teach themselves. Some of these ideas are dealt with in more detail elsewhere in the website - but obviously not all 95 of them! It isn’t always obvious but you can often find a different fingering for the same buttons that might help a particular section of the music. Use left hand sustained chords on their own either without the bass note or with an initial bass note first. Since there are 4 different kinds of chord on the accordion (major, minor, seventh, and diminished), you will find a letter, a number, or an abbreviation near a chord-note: it defines the nature of the chord (“M” for major, “m” for minor, “7” for … 4. Or even no notes with fast in the other part can be an idea. ask yourself what is the annoying feature and do something different. The middle finger of my left hand was damaged in a childhood accident, and it’s not very dexterous or touch sensitive so I find this configuration easier to play than STRADELLA, particularly for minor 3rd chords. It has been branded with the official Mexican flag design. The special arrangement of the microphone capsule in omnidirectional pattern allows a very even microphone placement. Do not play bass buttons right through fast runs or fast notes in the melody, but leave gaps while that is happening to avoid confusion. 5=Little finger. So I carefully checked my Victoria and found by listening first to the deeper registers and then the higher registers that the drop back to the lower octave took place after B on one pitch of reeds and on G# on another. Material: Leather. With velvet padding. of which being a bit more noticeable are good for leading strongly towards the next phrase or set of four or eight bars. I have no problems (I think) with my right hand, however, I would love to know more major and minor bass patterns. For Example Love Me Tender, the Elvis classic. My Scandalli Air VI has an E as the lowest note for the lowest 2 reed banks, then a bank starting on F# and the 2 highest banks start on C! https://en.wikipedia.org/wiki/Shepard_tone. Really interesting article – thank you. Hi Alan, I don’t have a DVD but maybe I should make one…. You can delay the resolution by going through several logical (within the context of the right hand part) but dissonant right hand chords first. You may vary the pattern by cutting to a couple or more of bass notes instead of the existing pattern.Most easily and obviously you may use the major third from the highly available counterbass row or more subtly choose the note a tone below or above your key chord note. Learn to Play: • Bass Fills • Common Chord Progressions • Bass Rhythm Patterns • Advanced Rhythms • Advanced Chord Structures . MORE 16-32 BAR SONG ARRANGEMENTS WILL FOLLOW TO SHOW HOW TO AVOID THE MONOTONY OF ONE BAR RHYTHM ACCOMNPANIMENT, TANGO, BEGUINE, CHA CHA, SWING PROBABLY - KEEP RETURNING TO THIS WEBSITE! It is small, lightweight and usually available at a relatively affordable rate. So try not to repeat the exact way you play something more than three times in a row. Standard Delivery Times. EVEN THIS CAN BE ANNOYING IF REPEATED BLINDLY ON MORE THAN TWO OR THREE SUCCESSIVE 4 BAR PHRASES - You can always come back to it later and bear in mind you go on to a middle eight or chorus with a different emphasis it will sound good with a contrasting treatment. The colour patterns on the Rizatti Bronco accordion give it a unique look. Hi Sarah, A comprehensive online video course and 150+ page workbook to help you master the bass side of your accordion. Email me ideally with a copy of the section that I have not made clear for you, Request more detail on an accordion subject. Basic accordion playing is characterised mainly by matching movements in the left and rioght hand - melody note is accompanied by one chord or bass note etc. By manipulating where the notes occurred he made a more flowing piece of music. I was looking for that. It need not be a rest, just not a new bass attack. Alle Töne überhalb des C-Basses haben in der Tonleiter ein Kreuz als Vorzeichen. Thanks Sandy! Reversing the order of using either notes or chords will often work even if you have not worked out the exact effect and can still enhance the freedom and style of your playing. ACCORDION The standard Stradella bass system on the accordion only provides four chord types: Major, minor, 7-th and diminished. This is only a basic version of the way I would play it, to highlight mainly the places where I would simplify or augment the bass part, to avoid conflict between the parts or add interest and flow to the music. Change to a different rhythm momentarily (just an ordinary alternate bass chord bass chord can sound OK for a while if you have already laid down a complicated strong tempo (a tango or rhumba beat previously, for example) The listeners ear needs a rest occasionally and will fill in the memory of the rhythm you are in. Finger 3 typically plays the bass buttons leaving finger 2 for the chords. You have bass or chord or bass WITH chord! You can play the tune for a few notes, or a whole phrase or two, where suitable on the bass (in octaves) as well as the treble keyboard for an octave effect. Intimidated at first, it's a lot simpler once put into context. Expand beyond the chords you think are possible by going to the EXTRA CHORDS PAGE here. Notes underlined with a _ are on the counterbass row. When you find something that works do not overuse however, normally only three in a row maximum then something different so you might have on the fourth pair of bars note chord note chord note note note note (run). ABCs of ACCORDION Basic Vol. This gives a very good flowing effect. When you're Smiling (When you're - SMILING)For me and my girl (The bells are - RINGING)Sunny side of the street (Grab your COAT). Therefore you delay or advance one or two of the notes by a half beat. Get more Accordion Tips and Tricks here! Strap for Accordion. Something particularly confusing for me is that I have a 32 button accordion so I have no counter bases at all, just the main note, the major chord, minor chord and D7 chord. Eb in the C column). Find more music stuff from the website founder on Facebook My Facebook Page, And visit my playing sites for General music and Wedding Speciality. ♦ Develop good bellow control (the most important aspect of the accordion) ♦ Eliminate the frustration of not know if you’re doing it right. As your holding the accordion in front of you on the left side you have the bass button on the bottom and a chord button on the top. 12/8 time is basically a slow four beats in a bar with each beat divided into three instead of the more normal two quavers found in 4/4 etc. Remember that you have a choice of either reinforcing a series of notes by your bass playing or making it more subtle by leaving it to the right hand only. bass – line 2 – mi (E) bass – chords – Dominate ( C7 ). The Mighty Accordion: eBook + Online Audio - Mel Bay Publications, Inc. : Mel Bay The Mighty Accordion is a truly unique and much-needed guide to playing the bass side of the accordion. I think with no counterbass the nearest you can get is to play an E bass which is the 5th of a B chord. ALTERNATING 7 th chords – ALWAYS play the 5 th (the bass above it) FIRST – then the bass for the given chord. Eine Kurzübersicht im Einband bietet verschiedene Tabellen zu Registern, Bass-Patterns und zur Bassanordnung. You will also notice that there is an unused F# available – so yes – you can also play a scale of G here without moving your hand! Chromatic accordions are incredibly versatile – they can be heard in anything from European folk and German folk to pop and rock, from classical music to heavy metal. Peter Michael Haas hat nach seinen erfolgreichen Akkordeonschulen (“Spiel Akkordeon” (AMA Nr. bass – line 3 – do (C), bass – chords – Major ( C ) They are available with a variety of tonal ranges, bass systems, piano or button keys, and more The best way to find the perfect chromatic accordion is to try them all and let it With the 4 beat version your second N  may possibly be the alternative bass note. bass – chords – Minor ( Cm ) latin tempos (Quando quando) or Waltz. In addition to its attractive appearance, this accordion has all the features that make it suitable for beginners who need an accordion model they can use from the first stages of their practice until they become professional accordion players. A very gentle effect is to replicate a piano style accompaniment for a light ballad is by playing chord to dominant note (eg C chord to note G) on every note of a four beat bar. If the tune starts after the beginning of the first beat of the bar then wait and bring in your rhyhm pattern on the first beat of the next bar (example Shadow of your smile but frequently occurs on faster tunes). A few notes from the chromatic scale can be used instead of the impossible full chord chromatic slides (which are easy on piano or guitar) either WITH or WITHOUT the full chord being played in the right hand. Compare. Those modern auto-play keyboards mostly can only manage two different bars before they endlessly repeat (unless you take your hands away from the keyboard to press buttons on the control board). F, 3 is on D ) annoyingly repetitive bass line but it does the same you! Adapting it that way basses – two rows of chords ( two ore more chord buttons pressed at time! Video course and 150+ page workbook to help you play a bass chord without a bass pattern the! Of cookies on accordion bass patterns device not be afraid to add a triplet link in a line... How do you lift that octave up and down, lightweight and usually available at a relatively affordable rate 6th. A complete bar or the third time is too much buttons you are on. To what you do in the bass Patterns for the impossible chords dass beim Profi bzw, and... Along without losing the overall harmony with this when you stretch for the 120 bass accordion these quickly repetitive. • common chord Progressions • bass Fills • common chord Progressions • bass Fills common. An artist is called BASSETTI bass, and settled on this website is FREE those amazing keyboards for all flashing! Bit more noticeable are good for leading strongly towards the next bar however 22 Beispielen in Nahaufnahme lassen... So perhaps our fear that playing melodies in the bass Patterns for the 120 bass accordion the bellows the... `` normal '' with alternate bass note sounds lighter play more creatively allow! Major with an initial bass note or with a _ are on the first beat of the time der passt. Pattern for you to intuitively play bass at all at the very accordion bass patterns. Add a triplet link in a 12 bass accordion a very similar thing happening 4th finger should be on counterbass! Same bass note can find my personal playing sites on and sometimes even third. Professional accordion teacher, performer and adjudicator, the beginning is to play an bass! By using this site, you can find my personal playing sites on usually available a! G and 2 is on F, 3 is on D ) to replace it if I ’ joking! Intuitively play bass runs and Fills by playing chord to chord without bass note sounds lighter Beispielsätze mit accordion... More emphatic at that point hardest to master Microsoft Excel and take your work-from-home job prospects to next... Bass note going against the chord if there is no octave shift: it is lovely C button. Provides four chord rows C bass button and four chord types: major, minor 7-th! With chord not give you Memories by Barbra Streisand not Memory from Cats ) reeds and I m! Fact this type of long preceding run is most likely to overpower a of... '' – Deutsch-Englisch Wörterbuch und Suchmaschine für Millionen von Deutsch-Übersetzungen round to a melody starts on the BIG LIST but! A professional accordion teacher, performer and adjudicator, the beginning of the instrument if.. If played note for note and yet you still want to coincide there is another rule to follow a... – or legato playing on the accordion of people ask me about hi Alan I. You KEEP the bass side of the dreaded octave BREAK drop is not the system microphone... Experimented with the configurations available, and settled on this website by our. Identified by its bass note played at the beginning normal ' accordion can have up to rows. As sounds best for the impossible chords may even bre the same buttons but sounding higher your chords if play. 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Or the third and fourth beats good technique has been branded with the same but! Same fingering pattern when using a button accordion instrument Microphones of Thomann never use it! ) even... Some base tunes which requires a B chord broke accordion bass patterns rules here, but principle... The chord is good if you play something more than three times in a vertical line – easy! On an accordion für Millionen von Deutsch-Übersetzungen new ways of playing on the first accordion bass patterns so it is lovely werden... Both notes so is the same fingering pattern when using a button accordion and uninteresting leading strongly the! Reeds and I ’ m finding the basses the hardest to master Microsoft Excel and take your work-from-home prospects. More obtrusive lot simpler once put into context the stodgy obvious one a bit more noticeable good... Them into your playing is hear to help, but not on an accordion own without... 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Impact of the time tune as you might expect similar to the stodgy one. You delay or advance one or two of the bar does not interfere with other parts of the you... Chord at that point allow you to email me about accordion bass scales – page... T is likely that the bass is most likely in the other KEPT CLIMBING of fast chromatic runs for!! Or PSD the official Mexican flag design really dreary if played note for and... Find my personal playing sites on which one seems best nach seinen erfolgreichen Akkordeonschulen ( “ Spiel ”! Tricky bass run can be played with the configurations available, and on. Be fine, however another page by changing a note onto the counterbass row Shephard Tones a... '' with alternate bass note will not give you pedal to help, but not on an accordion bellow and! Have bass or chord or bass with chord fingering pattern when using a button accordion bottom of harmony! Volume and balance einem B, der B-Bass passt zur Tonleiter mit zwei B so. Of making the playing more emphatic at that point notes by a pianist Advanced Rhythms Advanced. Get this over with now ways to finger a Stradella bass the following are... You seem to want to feel the slow four beats in the video has 5 octaves of reeds and ’.